(2020) - Paid for positive reviews I could make mention of the way Welles edited the film in a breakneck pace, but that's been covered on numerous occasions and how its an essential part of compelling the audience, keeping us from being bored to tears with his subjects(the humor and personality of Elmry, as well as, Welles' presence keep that from happening, however). (1973). It's a manic blend of jumbled thoughts that seems like something thrown together on a whim after filming every instant of a lavish European vacation, then poring over the resultant footage for its most quizzical moments. In the end both men's reputations were tainted so karma got somewhat even. You must be a registered user to use the IMDb rating plugin. No matter, if it's fake or not. He does this by telling the story a fraudulent painter and his biographer. I can't imagine this being as entertaining without the larger-than-life presence of Welles. Instead, the second half nearly put me to sleep. Welles himself participates in the segment, where he role plays the part of the dying old forger, with the girl, the real-life Picasso seductress, playing Picasso, who came to Paris to root out the master art forger who produced some original "Picassos." "F for Fake" is about an art forgerer and his biographer who was a forgerer himself. (He faked a biography about Howard Hughes.) But it is also an example of the power of effective editing – simply put, this is some of the most impressive technical cutting, swiping, panning, scanning, freeze-framing and elaborating ever put on film. (This remark, incidentally, is what triggered Scorcese's interest.) The first two thirds of the project are concerned with getting all these plates spinning at the same time. He talks about forging a career as a Broadway star in order to get work in Ireland. Is it that easy to make a fake profile? And this is a documentary! The result is a film showcasing the limitless possibilities of passionate film-making – Welles was clearly in love with his material, and it shows in every frame. It is head scratchingly fascinating. He then sells them as if they were originals. But it was Welles who expanded and pulled off the success of managing so many types of narrative layers. He knew art, he knew creativity, he didn't know business. It was a wonderful entertaining film. Directed by Orson Welles, Gary Graver, Oja Kodar. I think that Welles left in scenes that made him look bad simply to make that movie have a human touch of the director, who had a long history of fantastic films, to make you feel that you are his friend and that the movie is personal. Trailer. F for Fake is perhaps Orson Welles' least famous film. Like I said, it's enormously entertaining. But all Spielberg wanted to do was talk about Citizen Kane. If a fake is so good as to be taken for the real thing, is it of any less value? For me, it felt more like a participatory docufiction. You really don't know, what to believe. It was precisely right to spawn the revolution in narrative layering. Welles had a genius I so admire and a wit I pine for but will never attain. An unassuming office worker is arrested and stands trial, but he is never made aware of his charges. Welles even filmed a trailer that lasted for nine minutes and featured several shots of a topless Kodar. The career of Shakespeare's Sir John Falstaff as a roistering companion to young Prince Hal, circa 1400 to 1413. Initially released in 1974, it focuses on Elmyr de Hory's recounting of his career as a professional art forger; de Hory's story serves as the backdrop for a meandering investigation of the natures of authorship and authenticity, as well as the basis of the value of art. Made in 1974, the film is a blend of quick time, dreamlike French New Wave attention-deficit editing. Orson Welles' free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr's biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles' own career (which started with a faked resume and a phony Martian invasion). Clifford Irving is a biographer who wrote the allegedly fraudulent Howard Hughes autobiography, yet, at least it seems, purports his innocence. Everything false is simultaneously exposed and celebrated in this free-form documentary/fiction that meshes in historical figures to blur the line. Popular reviews More. It seems like a simple answer at first but Welles' films never have simple reasons for their quality. Reichenbach then hired fame director Orson Welles to edit the documentary to include Elmyr de Hory's biographer Clifford Irving, who was revealed to be a forger himself, when his fame Howard Hughes "autobiography" came out to be, a hoax. Also, the lesser-known masterpieces The Trial and Chimes at Midnight, which are as good as the previous three. As he only had that one shot at greatness, it would have been great if he could go back and remake it, adding the new ideas. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Directed by Orson Welles, Gary Graver, Oja Kodar. Welles's rambling is spell-bounding. In fact, there's a little more to it than that. In the end, he wanted the final laugh. I think that most critics would agree that his films are some of the finest of American directors, but why is this film so good? His work was so good that fake de Hory's started turning up. What I can say is that you should find this somewhat rare film and watch it with a clock close by. I also, kinda dig the fictional movie re-enactments with him, using film noir styles. I guess, Orson Welles just wanted showcase how hot his companion, Oja Kodar, was with the endless amounts of butt shots and nudity. But in Welles' confabulation, the originals are burned and the fakes sold. 90 mins More details at IMDb TMDb Report this film. F for Fake (French: Vérités et mensonges, "Truths and lies") is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. F FOR FAKE is arguably Orson Welles's greatest film work. On the way, Welles plays a few tricks of his own on the audience. A dissertation on liars, cheats, counterfeiters and forgers by Orson Welles that never settles on a subject, shooting style, genre or personality. Which I believe that it is Welles' most personal of all the films he made. Despite that, I did like the breaking the fourth wall style filmmaking, with a flair of very questionable information journalism by an unreliable narrator. Use the HTML below. I cannot find any proof on Google search that this Paboo Infinity Force Panda (2019) video game ever existed. His first major success was the biography of Elmyr (which was honestly produced), so Welles intermingles his story, more or less, into Elmyr's. It begins with the image of a lovely woman to whom he introduced us in the very beginning. It starts to tell its story about an art forger, but then it backtracks to his homeland of Hungary, then Welles tells a Hungarian joke, then it gets back to the main story, then Welles does a magic trick, then the camera oogles a hot chick for 10 minutes, then Welles waxes on about the wonderful Mr. Welles, etc., ad nauseum. Irving apparently perpetrated a scam to collect money for a check written, supposedly, by Howard Hughes as a deposit on a biography they would write together. There is documentary footage of de Hory at work--he could toss off a fake Picasso in a matter of minutes. On the way, Welles plays a few tricks of his own on the audience. Welles had a tough time in his filmmaking life, especially once he went to Europe. Orson Welles' 1974 documentary "F for Fake" examines trickery and fraud, mainly focusing on two men who have been exposed as frauds themselves. In the earlier shots, we actually see him produce bogus paintings which are then burned. His work was not just a copy of originals, but done "in the style of." With Dennis O'Keefe, Coleen Gray, Hugh Williams, Guy Middleton. Test footage was filmed as early as 1955, ... See full summary ». Where to begin with this strange little film here? Highly recommended. Even though its style is still novel when seen now, 30 years after F for Fake's first, quiet release in Europe, it was even more unusual in the context of the 1970s, and it presaged "MTV-style editing" by almost 10 years (considering that the style wasn't … Around this woman, Welles conflates every layer you have seen before into a story about her seducing Picasso into painting 22 pictures of her, presumably nude, of which he makes her a gift. A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town. Even though its style is still novel when seen now, 30 years after F for Fake's first, quiet release in Europe, it was even more unusual in the context of the 1970s, and it presaged "MTV-style editing" by almost 10 years (considering that the style wasn't even the norm on MTV when that cable channel first appeared). Overall: For a long time the film was Welles' final film, until the posthumous release of 'The Other Side of the Wind' in 2015. What we are left with is an incomplete picture of de Hory, a complex, but highly enigmatic man unable to shed his outlaw persona, whose notions of morality conformed to the exigencies he believed, that helps with his survival. Far from serving as a traditional docu… F For Fantastic, Farouche, Fanciful, Farcical, Fabulous. He also has a great scene at the beginning of the film putting on a magic show for a little boy.I deliberately skipped the part of the film, quite short, where Welles talks about himself. F for Fake is both an entertaining and serious look at art without being pretentious or cynical. View production, box office, & company info. There is a listing on ImDb for a fake actor by the name of 'Rae Sunshine Lee' who lists having been in over 100 films as an actor and at least 25 films as 'producer, director, writer, researcher, etc...', when, in fact, she has done none of these and there is no source online that I can find that lists this actor in any film she lists. F For Fake is Orson Welles having a lot of fun. The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved. Was this review helpful to you? Writer/Director Orson Welles' F for Fake is a fast-paced, complex, surrealistic and philosophically thought-provoking documentary about fraud, fakery, and fictions. Orson Welles is great as the host, the cast is colorful, and the editing is superb. Part essay, part apologia, part prank, Orson Welles's F FOR FAKE, one of the most inventive and invigorating nonfiction features ever made, is about the artist as con man and the con man as artist. a. His work fooled many an art expert and was accepted by museums and art auctions. Things are tied together with Orson admitting to being a fake, and the story a fake, but perhaps necessary in the name of art? It's hard to know, what's real and what's not, with this film and whether, does it ultimately, even matters. First there is the film "F for Fake." eg. This FAQ is empty. Okay, I love "Citizen Kane" and "Touch Evil" as much as the next guy, and Orson Welles was treated poorly by Hollywood, but that doesn't give him a free pass. Synopsis. Indeed only Godard's later documentaries seem to be at all influenced by this delightful fancy. He even plays a few tricks of his own on his audience so that the film accumulates into one big allegorical maze. While, her scenes are somewhat pointless. In Macao, a wealthy merchant named Charles Clay hires two people to recreate a story of a sailor who is paid to impregnate a man's wife. Title: A couple's honeymoon trip aboard a yacht leads to a claustrophobic drama when another vessel runs into their voyage, apparently drifting. There's a ton of fake animation credits on IMDb, which I suspect might have all been submitted by the same person (or few people). A lot of the documentary footage appears to be real, and some is open to question. I don't think Kane was his best film, but it certainly was his most influential, and as such it haunted him all his life. He even admits to being a sort of fraud himself, the whole fiasco concerning martians attacking across the radio in his "War of the Worlds" broadcast, telling the Irish that he was a star on the Broadway stage, and how CITIZEN KANE was in fact supposed to be about Howard Hughes, not that other guy. b. The way Welles chides critics of art and how Elmry may've been a forger but the dealers who benefited from his fraudulence were just as crooked as their client. Without spoiling the movie, too much, I have to say, this performative documentary was very exceptional for its thought provoking subject. Keep track of everything you watch; tell your friends. Also, the lesser-known masterpieces The Trial and Chimes at Midnight, which are as good as the previous three. There is a lot of play in the film about what is real and what is not. It was very surreal, yet somewhat annoying. Orson handles most of the narration himself from a seat at the editing table, apparently in the process of chaotically piecing the final product together. Ted's Evaluation -- 3 of 3: Worth watching. All the footage of de Hory and Irving is taken from an old BBC documentary, which Welles re-edits and narrates with his commentary. Some very clever editing is used to merge the layers, even though nearly all the camera-work is mundane. The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio when in reality, it is all part of the scheme of a bitter Ensign named Iago. I like that Welles also draws parallels between the main subject and his own brush with early notoriety. Welles narrates, directs, and appears as himself. Structurally F for Fake is complicated, intricate, and fascinating. She’s a major liar and this is the third IMDb she’s created. Croatian beauty Oja Kodar in F for Fake. Once again, Welles puts on yet another performance of a lifetime. So, he first hired B-movie cinematographer Gary Graver to help finish the film. It's extremely appropriate that Welles, who is always trying for a pure cinema (which is his genius, past the occasionally diverting hubris), can tackle on his 'true' subjects, Elmyr and writer Clifford Irving with such tact. The Criterion Collection DVD has a wealth of material that will delight any fan of Orson Welles, and maybe a lot of others as well. Then to Welles' bogus movie about Hughes' life (itself a bogus notion) he adds another layer: Irving's bogus story about Hughes' life. He claims that one of his original ideas was to do a pseudo-biopic of Howard Hughes. There is so much zest, wit, fun, cheek, energy in this supremely entertaining film, that it's a crime that Orson Welles never directed another one. Just as CITIZEN KANE was exemplary of Baroque art, F FOR FAKE is the celluloid version of a Picasso painting. You don't get to ignore the elephant in the room and tell me I need to advise you of fake reviews. Packed full of uneven and unpredictble and fascinating images - Welles encounters a glamorous Spanish-Polish aristocrat - Prince Adam Czartoryski at a party in Ibiza, we see him dine out at the famous Paris restaurant - La Mediterranee with his glamorous friends, he waxes lyrical about Chartres Cathedral, the neon cityscape of Las Vegas, street scenes of Rome and Ibiza he also performs magic tricks. Principal photography took place between 1957 and 1969. O rson Welles's penultimate film, from 1975, is a playful, personal essay, full of … A documentary about fraud and fakery. 8/10. Well basically it is just a documentary by famed director Orson Welles. With Orson Welles, Oja Kodar, François Reichenbach, Elmyr de Hory. Share. No one should see "Citizen Kane" without also seeing this annotation. Find ratings and reviews for the newest movie and TV shows. Sight & Sound: Greatest Documentaries of All Time. F FOR FAKE Vérités et mensonges. He opens with a magic trick and performs a few more in the film. It moves quicker than any other Welles film, and in fact according to the critic Jonathan Rosenbaum in his excellent Criterion Collection essay, Welles had purposely tried to separate this from his typical directorial style. This woman is Oja Kodar (aka Olga Palinkas), Welles' lover, companion and screen writing collaborator on all his folded projects — all lost except this one. An unreleased 9 minute trailer for F for Fake directed by Orson Welles as promotional reel for the film's American release. Documentary, Drama. While, he did contributes all footage filmed in the U.S., his work was very choppy. Still, F is quite brilliant in itself, even if it's little more than an exercise in stylized editing. There is a lot of play in the film about what is real and what is not. Here is the truth. Orson Welles does wonders as the voice of God for this film. Since it is not made up of documentary footage, but re-enacted, it proves very interesting. This is taken from a DeviantArt fan fiction website. A documentary about Orson Welles's unfinished three-part film about South America. How are we supposed to accept anything as valid if it’s so easy to fake? Welles' presence is all about panache and de Hory's tale is one of artistic style - as he points out, forgery used to be a respectable artistic method. This project is the next best thing. His biographer is in on the hoax as well, documenting his life as if he were really a painter. The final third takes all these and weaves another layer that intersperses. IMDb is the world's most popular and authoritative source for movie, TV and celebrity content. An elusive billionaire hires an American smuggler to investigate his past, leading to a dizzying descent into a cold-war European landscape. He speaks about War of the Worlds and Citizen Kane, a forgery of William Randolph Hearst's (and Marion Davies') life. My favorite scene(besides Welles and Kodar in a performance as Picasso and her dying father respectively)has to be when either Elmry or Irving is caught in a lie over whether or not the artist put a signature at the bottom of his works, a pause from both as if neither were correct in what they were saying(and, as Welles had successfully done, we can not trust either men, because both made income from deception). Sat 25 Aug 2012 19.03 EDT. Funnily enough, one of the people involved with the Blair Witch Project is involved with this movie, so I think they are trying a similar marketing strategy. It really deserves to be in the Criterion Collection, big time. In this documentary, which has been tagged under the style of "free form," Welles discusses fraud and fakery and the role it plays in art. The F For Fake Community Note includes chapter-by-chapter summary and analysis, character list, theme list, historical context, author biography and quizzes written by community members like you. Welles felt in the film that all art is subjective and easy copied. Fearing that no audience member, would take the film's seriously. Welles makes great films there is no doubt about that. Remind me of Jean Luc Godard and René Clair who used editing to alternately build and deconstruct. F For Fake from 1973 is a remarkably enterprising documentary relating to the nature of art, charlatanry, illusionism and fakery. "F is for Fakes" (also called "F for Fake") is not really a movie or documentary as much as a look at how we interpret art, and what we WANT to interpret about anything that is essentially fake. Welles employs a crazed guerrilla documentary style, splicing half-conversations with notorious scammers on top of one another while concentrating on awkward close-ups, unflattering angles and incomplete thoughts. "F for fake" stands for the last movie Orson Welles really directed and, as for many artistic legacies it's the final demonstration of the genius of the artist, becoming some kind of briefing of his entire career. People tend to forget that this master crafstman, rightfully thought of as one of the pre-eminent artists of the medium, was, first and foremost, an entertainer. Of the Orson Welles films I have seen, this has to be the most fun to watch. It's simply amazing watching him effortlessly, and I MEAN EFFORTLESSLY, reproducing the paintings of Picasso and Matisse. (wink, wink) Giving the surprise away would ruin all of the fun. After that, Welles talks a lot about Howard Hughes.The final segment, about a woman who seduced Picasso into producing portraits of her which she then seduced away from him, is mostly re-enacted. In truth, her presence in the film wasn't really needed, as she has nothing to do with the main stories. It's packed with as many ideas and potential future directions as CITIZEN KANE, but bizarrely hasn't received an nth of that classic's acclaim. I would suspect that even people raised on MTV might get a little dizzy watching it. 88. If Welles could've let this story tell itself without overproducing every instant and later forcing himself into unnecessary dramatizations, it would have had my rapt attention. Even if some of them, were cut with odd unrelated footage such as opening staring/airport scene. However, it wasn't. His later ones were too out there for American audiences, and I don't think that Steven Spielberg, even if he had tried, could have gotten him a distributor. So, it's really hard to say, if this movie was documentary at all. Who Is Q? Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot. And, somehow, like magicians probably have to, he slips by following the rules, fooling you every step of the way. He seems to be wondering whether it was all worth it. The editing gives this film its base and gives the misinterpretation of a documentary feel. The whole overused of dated freeze frame was irritating. In a way, it's should had been. Peter Bogdanovich was an early champion of this, right about the time Bogdanovich forgot how to make good movies. The magnificent Orson takes us on a whimsical tour of fakery that involves some real fakery, some fake fakery, some fake reality, and... You get the idea. Indeed, he goes further into another layer: an Irving story (presumably _not_ bogus) about an artist (Elmyr) who produced bogus artworks, including bogus Picassos. F is ostensibly a semi-documentary about forgery and fakery. I think this editing is just simply documentary editing at its finest because documentary are suppose to give the illusion that it is real events that are being filmed when it is only an interpretation of reality. The former Vanderpump Rules star claimed that "fake pages" were being created for his newborn son. HBO’s QAnon Docuseries May Have The Answer, IMDb Poll Board Favorite Documentary Films. Philip French. An intimate and revelatory 1970 conversation between two film giants, Dennis Hopper, then riding high on the massive success of Easy Rider (1969), and Orson Welles, ever the iconoclast and an offscreen interviewer of probing authority. Its main subjects are Elmyr, a pre-eminent art forger, Clifford Irving, who faked the Howard Hughes biography, Orson Welles himself briefly (chiefly the War of the Worlds broadcast), and Elmyr's precursor, another Hungarian forger who is supposedly the best forger who ever lived. If had access to your stats like YOU do, i could tell you EXACTLY which were which. For what it's worth, I could watch Orson carry on conversation with nobodies for hours at a time, and on the few occasions the film delivers just that, it reaches a certain peak. There's not supposed to be a plot, is there? Which Film Has the Most Diabolical Con Artist(s)? Want to share IMDb's rating on your own site? Orson Welles's last full-length theatrical (ahem, emphasis on theatrical) film released before his death at times is almost like the 'News on the March' segment of Citizen Kane spread out in various spurts, and then totally played upon. After all, Welles reflects on this in-film, so well. Oh well. But to see its beauty, you have to know two things: first that the layers that Kane is missing and that many filmmakers used since is the notion of annotative narrative layers. I've listened carefully and I believe it really IS Hughes' voice on the telephone saying that Irving is a faker and that he had never heard of him before. It bounces about and I figure many will consider it haphazard and aggravating, but I didn't mind Welles' structure in the slightest, it all still has a central focus in regards to truth and fiction and how it's not necessarily always easy to distinguish between the two. Sadly, we will never truly know, who the real guy is, as he commit suicide, shortly in 2 years after this movie wrap. He suggest that maybe authenticity isn't important to art, because everything will finally wear away by time. As for the film's style, it has very complex but sometimes annoying editing, very rapid. Get a sneak peek of the new version of this page. A documentary about fraud and fakery. The thrust of the movie concentrates on Elmyr de Hory (the master art forger) and Clifford Irving (the author of the fake biography of Howard Hughes). I've never heard of it. In short, I guess, Orson Welles wanted to troll his audience, a little more, by adding 17 more minutes to the runtime, to show how fake, this movie can get. All the while Orson Welles narrates about the profundities of playing tricks on the mind and how we are so easily fooled by tricks that lay right under our noses. F for Fake. Its main subjects are Elmyr, a pre-eminent art forger, Clifford Irving, who faked the Howard Hughes biography, Orson Welles himself briefly (chiefly the War of the Worlds broadcast), and Elmyr's precursor, another Hungarian forger who is supposedly the best forger who ever lived. He speaks of his War of the Worlds radio production in very demeaning terms, joking that, if it were produced for a medium other than radio, he would have been laughed at (he shows clips of, I believe, Earth vs. the Flying Saucers, or one such 1950s UFO movie, where UFOs are wasting Washington D.C., clips which he also runs under the closing credits). Orson Welles. Her real name is HL Roberts and she’s an author and she uses the fake IMDb page to scam people into signing with her “publishing company”. I'm not sure why people think this is pre MTV editing, but I would think it has something to do with the switching and fast-paced attitude that the editing offers. Directed by Godfrey Grayson. An art forger, a biographer who faked having wrote from a legitimate source(Howard Hughes himself), and some 17 minutes about a Oja Koder's deathbed grandfather wanting Picasso's approval over 22 paintings of his beautiful daughter--Orson Welles sure knew how to weave quite a compelling film. It's all in fun, but it also can't help but seem a bit silly. Find out for yourself if you agree with Welles and this masterpiece of modern cinema. The theft of a Picasso painting stark, perverse story of murder, kidnapping, and police corruption in way... Annoying editing, very well, work for this here Lies ' ; ' for! 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