), Samuel H. Scripps American Dance Festival Award, http://www.businessinsider.com/ap-pioneering-black-choreographer-director-donald-mckayle-dies-2018-4?r=US&IR=T&IR=T. He later cofounded Dance Theatre of Harlem. Dayton Contemporary Dance Company, which was founded in 1968 by Dayton, Ohio native, ... 2016: The 2016 Bessie for Outstanding Revival was presented to Rainbow ’Round My Shoulder by Donald McKayle, performed by Dayton Contemporary Dance Company, and produced by Paul Taylor American Modern Dance at the David H. Koch Theater, New York (The New York Dance and Performance Awards) 2012: … [22], McKayle formed and directed his own dance company, Donald McKayle and Dancers (1951–69), and was the head of the Inner City Repertory Dance Company from 1970 to 1974. McKayle has also choreographed stage acts for singers such as Harry Belafonte and Rita Moreno. Inspired by a Pearl Primus performance, he began dancing his senior year in high school, and won a scholarship to the New Dance Group in 1947. In 2005, McKayle was honored at the John F. Kennedy Center in Washington, D.C. and presented with a medal as a Master of African American Choreography. McKayle directed and choreographed Raisin (1974), which was awarded a Tony for best musical. His political beliefs were influenced by his high school English teacher Lewis Allen, also known as Abel Meeropol, author of the poem "Strange Fruit". Joe V. Nash-Wikipedia. Donald McKayle, a Tony-nominated choreographer who created classic works of modern dance and was the first African American man to direct and choreograph Broadway musicals, died April 6 … [9] McKayle's educational experience attending a public school outside of the Harlem community also heightened his social awareness. 1, Donald McKayle talks about Geoffrey Holder, Donald McKayle remembers 'House of Flowers,' pt. He has also worked with Donald McKayle, Rennie Harris, Rudy Perez, Louis Johnson, Nike, Aveda and Tamica Washington-Miller. Guide to the Donald McKayle: HeartBeats of a DanceMaker video recordings. While Donald Mckayle no longer has his own dance company, he maintains an ongoing relationship with several dance companies that serve as repositories for his works: the Alvin Ailey American Dance Theater, the Cleo Parker Robinson Dance Ensemble, the Cleveland San Jose Ballet, the Dayton Contemporary Dance Company, and the Los Angeles Contemporary Dance Theater. … For this setting, he has taken a selection of dances from his HEARTBEATS, a work that had its premiere on February 14, 1997 with the José Limón Dance Company in San Jose, California. But it was an inspiring performance by Pearl Primus that sparked McKayle's interest in dance as a teenager. Celebrating Donald McKayle, a Modern-Dance Trailblazer This memorial tribute showed McKayle’s lifelong exploration of themes of struggle, resilience and hope in the face of oppression. [13] He maintained relationships with companies that are repositories of his work including the Alvin Ailey American Dance Theatre, the Cleveland San Jose Ballet, and the Los Angeles Contemporary Dance Theatre. [4][5] As a young man he appeared with some of the twentieth century's most important choreographers, including Martha Graham, Anna Sokolow, and Merce Cunningham, and in some of Broadway's landmark productions, including House of Flowers (1958) and West Side Story (1957), where he served for a time as the production's dance captain. He has taught at Bennington College, the Juilliard School, the American Dance Festival, and in Europe. 1, Donald McKayle recalls the success of Donald McKayle and Company, Donald McKayle describes his start as film and television choreographer, Donald McKayle remembers moving to Los Angeles, California, Donald McKayle talks about his Broadway production of 'Raisin,' pt. Later that year, she became the assistant choreographer to Donald McKayle an Walter Nicks in the musical Kicks and Company. The Committee was dedicated to changing the prejudices and widespread racism that made it difficult for African Americans in the performing arts. He was "among the first black men to break the racial barrier by means of modern dance. Since graduating, she danced for Mordine & Company Dance Theater, Royal Caribbean Cruise Lines, and Nomi Dance Company. Share Alongside dancers like Georgia Collins, Charles Moore, Delores Brown, Talley Beatty, and John Jones, Neal performed in a 1958 Alvin Ailey & Ernest Parham recital at the 92nd Street Y. Donald McKayle Dance Company performing "Legendary Landscape" in 1962. He was born on July 6, 1930 in New York. [17], Rainbow 'Round My Shoulder (1959) is also considered a masterwork that incorporates Africanist movement, rhythms, and music. McKayle was the director and choreographer of Raisin (1974) and was awarded a Tony for the best musical. Despite his lack of formal dance training, McKayle auditioned and was granted a scholarship for the New Dance Group in 1947. https://en.wikipedia.org/w/index.php?title=Donald_McKayle&oldid=1011059395, Articles with dead external links from December 2016, Articles with permanently dead external links, Internet Broadway Database person ID same as Wikidata, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, "Death and Eros (2000) with music composed for the dance by Jon Magnussen, This page was last edited on 8 March 2021, at 20:09. [6] He was the second child of a middle class, immigrant family of Jamaican descent. "Donald McKayle, 87, Broadway and Modern Dance Choreographer, Dies", "For a New 'Rainbow,' Donald McKayle Is Still Explaining", https://www.latimes.com/archives/la-xpm-2000-feb-14-ca-64116-story.html. From 1951 to 1969, McKayle founded and directed his own dance company, Donald McKayle and Company, which premiered his first major work entitled Games in 1951. Enter the password that accompanies your username. This organization was composed of Harlem Renaissance, leaders including Langston Hughes, and up-and-coming African-American artists and performers such as Harry Belafonte. Links Donal McKayle at University of California Irvine. [11] McKayle was ambitious and eagerly took advantage of the company's formal training in modern, ballet, tap, Afro-Caribbean, Hindu, and Haitian dance forms. Choreographer and educator Donald McKayle was born on July 6, 1930 in New York City, New York to Eva Wilhelmina Cohen McKayle and Philip Augustus McKayle. In addition to his work as a choreographer and director, for the past 20 years McKayle has been a professor of dance and choreography at the University of California, Irvine. And in high school McKayle joined the Frederick Douglass Society to learn more about African-American history and heritage, a subject that was not taught in school.[10]. JOURNEY OF THE HEART, Donald McKayle shows emotional and evocative dances that reveal the heart of humanity. Golden Boy (1964) was his first Broadway production, followed by I'm Solomon (1969) and Dr. Jazz (1975). McKayle's early works attracted the interest of Broadway stars, audiences, and Hollywood films. Golden Boy (1964) was his first Broadway production, followed by I'm Solomon (1969) and Dr. Jazz (1975). Golden Boy (1964) was his first Broadway production, followed by I'm Solomon (1969) and Dr. Jazz … Arthur Mitchell, American dancer, choreographer, and director who was the first African American to become a principal dancer with a major ballet troupe, New York City Ballet. Donald McKayle Dance Company performing "Legendary Landscape" in 1962. [12] His noted mentors are Sophie Maslow, Jane Dudley, William Bales, and his first teacher Jean Erdman. McKayle has also choreographed for films, including Bedknobs and Broomsticks (1970), The Great White Hope (1972), and The Minstrel Man (1976). Appearances by Donald McKayle; Della Reese (narrator); Harry Belafonte; José Limón Dance Company; San Jose and Cleveland Ballet. Inspired by childhood memories, Games explores themes of poverty and discrimination in shaping the lives and attitudes of the youth. Donald McKayle was interviewed by The HistoryMakers on December 17, 2013. McKayle, who died in April of 2018, was an American modern dancer, choreographer, director and writer. In April 2005, Donald McKayle was honored at the John F. Kennedy Center in Washington, D.C. and presented with a medal as a Master of African American Choreography. A native New Yorker, Arthur Mitchell attended the High School for the Performing Arts in New York City and began performing in Broadway musicals and with the companies of Donald McKayle and John Butler. The memories of love and joy that sustain them are personified by a dream figure who appears as sweetheart, mother and wife. McKayle then went on to choreograph masterworks Rainbow 'Round My Shoulder, District Storyville and Songs of the Disinherited. Donald McKayle’s Nocturne received its world premiere at Jacob’s Pillow in 1953 with a cast that included Arthur Mitchell, Joe Nash, and the choreographer himself. From 1951 to 1969, McKayle founded and directed his own dance company, Donald McKayle and Company, which premiered his first major work entitled Games in 1951. [21], The 2016 Bessie for Outstanding Revival (The New York Dance and Performance Awards) was presented to Rainbow ’Round My Shoulder by Donald McKayle, performed by Dayton Contemporary Dance Company, and produced by Paul Taylor American Modern Dance at the David H. Koch Theater for giving a classic modern dance powerful new life, transforming the midcentury portrayal of an African-American prison chain gang into a searingly resonant cry for our current times, performed with humanity, craft, and beauty. McKayle's work was broadcast on every major TV network from 1951 to 1985. This piece depicted the reality of poverty and the suffering of the homeless. In her first year at UC Irvine, she worked with Dante Puleio, Artistic Director of the Limon Dance Company, which is when she fell in love with modern dance. He has been a choreographer of the Limon Dance Company since 1995. McKayle was born in New York City on July 6, 1930, and grew up in a racially mixed East Harlem community of African-American, Puerto Rican, and Jewish immigrants. Golden Boy (1964) was his first Broadway production, followed by I'm Solomon (1969) and Dr. Jazz … A unique collection of video documenting the UW Chamber Dance Dance Company's over 25 year history of performing modern dance classics. The racial injustice and violence of the piece concludes as a chain gang member is shot and killed.[18][19]. [23] He has also choreographed over 70 pieces for dance companies around the world in the U.S., Canada, Israel, Europe and South America.[21]. A searing dramatic narrative, it is set on a chain gang in the American south where prisoners work, breaking rock from “can see to can’t see.” Their aspirations for freedom come in the guise of a woman, first as a vision then as a remembered sweetheart, mother, and wife. 2, Donald McKayle recalls touring with the Martha Graham Dance Company, Donald McKayle recalls the original Broadway production of 'West Side Story', Donald McKayle remembers creating 'Rainbow Round My Shoulder,' pt. He previously served on the faculties of Connecticut College, Sarah Lawrence College, and Bennington College. Melanye P. White-Dixon, "McKayle, Donald," in Selma Jeanne Cohen (ed.). Selected film and television choreography. The Nation’s Largest African American Video Oral History Collection. All rights reserved. A Tony Award and Emmy Award nominee, McKayle held an endowed chair for the last decades of his life in the Dance Department at UC Irvine, where he was the Claire Trevor Professor of Dance. Donald McKayle : Heartbeats of a Dancemaker Film by Joy Chong-Stannard; Victoria N Kneubuhl; Gregg Lizenbery; Marilyn Cristofori. He has also choreographed for films including Bedknobs and Broomsticks (1970), The Great White Hope (1972), and The Minstrel Man (1976).[14]. With Miriam Burton, Carmen De Lavallade, Donald McKayle, Arthur Mitchell. Gregg Lizenbery, "McKayle, Donald," in Taryn Benbow-Pfalzgraf (ed. Get premium, high resolution news photos at Getty Images Chamber Dance Company Archive: Donald McKayle. Donald McKayle in 1963, courtesy of the Jerome Robbins Dance Division, New York Public Library for the Performing Arts. [8], Growing up in an integrated neighborhood shaped McKayle's understanding of the social issues and racial prejudices in America during a time when racism and segregation was commonplace. He served as head of the Inner City Repertory Dance Company from 1970 to 1974, and then as choreographer for the Limon Dance Company since 1995. In 2001, he choreographed the monumental ten-hour production of Tantalus. He has also choreographed over 70 pieces fo… Get premium, high resolution news photos at Getty Images See how Donald McKayle is related to other HistoryMakers, Donald McKayle describes his mother's family background, Donald McKayle talks about his mother's upbringing, Donald McKayle describes his father's family background, Donald McKayle talks about his father's immigration to the United States, Donald McKayle describes his parent's personalities and who he takes after, Donald McKayle describes his earliest childhood memory, Donald McKayle remembers the Harlem community in New York City, Donald McKayle describes the sights, sounds and smells of his childhood, Donald McKayle talks about his early experiences of religion, Donald McKayle remembers the Great Depression, Donald McKayle describes his early involvement in the arts, Donald McKayle talks about his Jamaican heritage, Donald McKayle remembers the Harlem River Houses in New York City, Donald McKayle talks about his early influences, Donald McKayle remembers his election as class president at DeWitt Clinton High School in New York City, Donald McKayle talks about his Jewish heritage, Donald McKayle talks about his early cultural influences, Donald McKayle talks about his piece, 'Her Name Was Harriet', Donald McKayle talks about the popular culture of the 1940s, Donald McKayle remembers joining the New Dance Group, Donald McKayle remembers the African American dancers of the 1940s, Donald McKayle talks about his dance training, Donald McKayle remembers his first pieces of original choreography, Donald McKayle talks about forming Donald McKayle and Company, Donald McKayle talks about Donald McKayle and Company, Donald McKayle talks about the black arts community in New York City, Donald McKayle remembers the early productions by Donald McKayle and Company, Donald McKayle remembers 'House of Flowers,' pt. [7] His father worked as a maintenance man at the Copacabana nightclub before becoming a mechanic while his mother worked as a medical assistant. Members of the Cleo Parker Robinson Dance Ensemble and Cleo 2 (second company) rehearse a movement of Donald McKayle’s “Crossing The … In all, McKayle choreographed over ninety performances for dance companies in the U.S., Canada, Israel, Europe and South America. Donald McKayle Company Alvin Ailey American Dance Theater: Guest [Photo unavailable] Charles Neal was one of the six original members of New York Negro Ballet and studied under Maria Nevelska. Creating choreography for celebrities led to his appearances in popular television shows such as The Bill Cosby Show and The Ed Sullivan Show. Hailed as Donald McKayle’s masterpiece, this powerfully athletic piece portrays the life of men on a prison chain gang. Donald McKayle and Company, New York, NY Geraldine Armstrong Ballet Jazz. [15], At the age of 18 McKayle premiered his solo piece, Saturday's Child (1948), choreographed to the poetry of Countee Cullen. Mckayle's Contributions - Broke racial barrier through Modern Dance - Tony and Emmy nominee - Directed own company-- Donald McKayle and Dancers - Choreographed for over 70 companies around the world - Current choreographer of Limon Dance Company Some are teethed on a silver hl=en&lr=&q=cache:CaVu10VVkHwJ:www.barnard.columbia.edu/dance/Senior%2520Theses/Elisa_davis.doc+donald+Mckayle Google Scholar. In 1963 McKayle was awarded the Capezio Dance Award, and in 1992 received the Samuel H. Scripps American Dance Festival Award for lifetime achievement. Donald McKayle had a multi-faceted career that enabled him to dance in the companies of major artists, eventually form his own internationally-renowned company, and make his mark in the dance world as a choreographer of note. Donald McKayle’s 1959 masterwork, "Rainbow 'Round My Shoulder," is acclaimed as a modern dance classic. Read More From 1951 to 1969, McKayle founded and directed his own dance company, Donald McKayle and Company, which premiered his first major work entitled Games in 1951. 1963 In 2001, he choreographed the monumental ten-hour production of Tantalus, produced by the Royal Shakespeare Company in collaboration with the Denver Center Theatre Company. In all, McKayle choreographed over ninety performances for dance companies in the U.S., Canada, Israel, Europe and South America. In a dramatic example, one night of the upcoming season is devoted to works by the late choreographer Donald McKayle; tickets to this memorial performance are free. Some of his best-known roles included those in Agon (1957) and A Midsummer Night’s Dream (1962). He was also … He was exposed to social dance and the exuberant social atmosphere of the West Indian parties his parents attended. About This Orbit: Arthur Mitchell Explore the Arthur Mitchell Orbit. In her second year, she was fortunate enough to dance for Donald McKayle in his final Etude Ensemble and in 2019 received the Donald McKayle Endowment for Modern Dance. He maintained relationships with companies that are repositories of his work including the Alvin Ailey American Dance Theatre, the Cleveland San Jose Ballet, and the Los Angeles Contemporary Dance Theatre. They also performed They Call Her Moses for the CBS television show Camera Three. "[3] His work for the concert stage, especially Games (1951) and Rainbow Round My Shoulder (1959), has been the subject of widespread acclaim and critical attention. McKayle was also influenced by his parents' liberal and activist lifestyles. 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