1990 PRIVILEGE. This chapter reconsiders the legacy of Rainer by locating the substance of her innovations between several art forms, including dance and film, and taking her “medial” work Lives of Performers (1972) as its case study. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a title in Oxford Handbooks Online for personal use (for details see Privacy Policy and Legal Notice). Yvonne Rainer, Lives of Performers, Babette Mangolte All Right of Reproduction Reserved THE YVONNE rainer PROJECT LIVES OF PERFORMERS Yvonne Rainer + Pauline Boudry / Renate Lorenz, Julien Crépieux, Yael Davids, Carole Doulilard, Marai Loboda, Mai-Thu Perret, Émilie Pti oiset, Noé Soulier Exhibition 25 October 2014 - 8 February 2015 In her first feature, Lives of Performers … Yvonne Rainer – Lives of Performers, 1972, 90mins / 1hr, 30mins. . AUTOBIOGRAPHICAL STATEMENT "In 1956 I came to New York to study acting. Lives […] She sought to blur the lines between performers and non-performers, and incorporated gestures and pedestrian movements, as well as classical dance steps and theatricality into her choreography. El copyright del poster, carátula, fotogramas, fotografías e imágenes de cada DVD, VOD, Blu-ray, tráiler y banda sonora original (BSO) pertenecen a las correspondientes productoras y/o distribuidoras. PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). In the 1970s, she turned her attention fully to filmmaking, directing Lives of Performers (1972), Journeys from Berlin/1971 (1980), and Privilege (1990). Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha o fecha de estreno- puedes mandarnos un mensaje. Yvonne Rainer: Lives of Performers. Choreographer and filmmaker Yvonne Rainer trained with Martha Graham and Merce Cunningham as a dancer, and was a co-founding member of the Judson Dance Theater in 1962. Directed by Yvonne Rainer. Back in 1972, Rainer was able to cover the entire production of Lives of Performers, including wages for the entire crew, with a $10,000 Guggenheim grant. Originally part of a dance performance choreographed by Rainer. Por lo demás, tanto los textos como la praxis de Yvonne Rainer supusieron una influencia decisiva en las vanguardias neoyorquinas: sus películas Lives of Performers, Film About a Woman Who… (1974), Kristina Talking Pictures (1976), Journeys from Berlin/1971 (1980) y The Man Who Envied Women (1985) aúnan rigor intelectual con estructuras aparentemente narrativas y formalmente complejas. Lives of Performers begins, fittingly, with a rehearsal. You could not be signed in, please check and try again. Valda Setterfield. 1980 JOURNEYS FROM BERLIN/1971. Posted by | Jessica Bardsley | Posted on | April 9, 2012 . Lives of performers. By the time she made MURDER and murder, the film cost around $300,000, a paltry sum by today’s mainstream standards, but … PRINTED FROM OXFORD HANDBOOKS ONLINE (www.oxfordhandbooks.com). Yvonne Rainer. Lives of Performers tests disciplinary categories through its preoccupation with destabilizing dominant structures of narrative, authorship, and spectatorship. These dramatic scenarios—romantic, violent, ironic—feature dancers in a living still life, except that she keeps the performers' twitches, shifts in balance, and facial tics until they finally break their poses and move on … Yvonne Rainer, Carriage Discreteness, 1966. With James Barth, John Erdman, Epp Kotkas, Yvonne Rainer. Rainer es una figura clave en la historia de las vanguardias neoyorquinas tanto a través de sus textos como de su praxis. Yvonne Rainer was born in San Francisco in 1934. Sus filmes Lives of Performers(1972), Film Los derechos de propiedad intelectual de las críticas corresponden a los correspondientes críticos y/o medios de comunicación de los que han sido extraídos. Yvonne Rainer: Lives of Performers Live performance by Affinity Project. Rainer’s first feature-length film incorporates rehearsal footage from Performance (1972) and photographs from Grand Union Dreams (1971). Copy this link, or click below to email it to a friend. Lives of Performers is Yvonne Rainers eerste speelfilm. Yvonne Rainer enjoys a position in the twentieth-century canon of dance pioneers that is built more on discourse than repertoire, ideas rather than choreographic works. The Oxford Handbook of Screendance Studies, Loïe Fuller’s Serpentines and Poetics of Self-Abnegation in the Era of Electrotechnics, Selective Histories: Moving Image from the Late Nineteenth Century to the Early Twenty-First, Moto-Bio-Cine-Event: Constructions of Expressive Movement in Soviet Avant-Garde Film, Sensory Screens, Digitized Desires: Dancing Rasa from Bombay Cinema to Reality TV, Exposed to Time: Cross-Histories of Human Motion Visualization from Chrono- to Dynamophotography, In the Blink of an Eye: Norman McLaren Between Dance and Animation, An Interdisciplinary Reading of the Film Entr’acte, Light, Shadow, Screendance: Catherine Galasso’s Bring on the Lumière!, The Best Dance Is the Way People Die in Movies (or Gestures Toward a New Definition of “Screendance”), Kinesthetic Empathy: Conditions for Viewing, Sound as Choreographic Object: A Perceptual Approach to the Integration of Sound in Screendance, Screendance as Enactment in Maya Deren’s At Land: Enactive, Embodied, and Neurocinematic Considerations, Corporeal Creations in Experimental Screendance: Resisting Sociopolitical Constructions of the Body, Dancing in the City: Screens, Landscape, and Civic Phenomenology in the Screendance of Terrance Houle. Directed by Yvonne Rainer. Keywords: Yvonne Rainer, Lives of Performers, mid-twentieth-century New York, screendance, interdisciplinary art, John Cage, narrative, collage, aesthetics of difference. : Popular Dancing, YouTubing, and Exchange in Screendance, Resurrecting the Future: Body, Image, and Technology in the Work of Loïe Fuller, Bill Robinson and Shirley Temple Tap Past Jim Crow. Yvonne Rainer, Lives of Performers, 1972, 16 mm, black-and-white, sound, 90 minutes. Política de privacidad / condiciones de uso. She trained as a modern dancer in New York and began to choreograph her own work in 1960. On Wednesday, July 24, 2019 at 7:30pm, Nightletter, a new venue for experimental and political cinema, will present Yvonne Rainer’s Lives of Performers + Trio A with a special introduction by Philadelphia Dance Projects’ Terry Fox. De la chorégraphie au cinéma“, 04 – 30 Novembre 2014, Jeu de Paume. Articles on Yvonne Rainer… Rainer says the two ideas that frame Lives of Performers are “dance and emotional life”, (p. 177) and the film does revolve around both the on and off-stage, fictional and non-fictional activities of a group of dancer/performers. ... Live of performers - Yvonne Rainer. Film Format: 16mm / DVD, B&W A stark and revealing examination of romantic alliances, Lives of Performers examines the dilemma of a man who can’t choose between two women and makes them both suffer. Cinematographer Babette Mangolte’s roving camera arcs across the bodies of dancers as they commit a pattern of movement to memory, and this image—of a work in the process of becoming—serves as an emblem of sorts for Rainer’s film, which stages a familiar story of infatuation and uncertain feeling in an unorthodox fashion. : An “Undisciplined” Encounter with the Avant-Garde, From Oakland Turfs to Harlem’s Shake: Hood Dance on YouTube and Viral Antiblackness, The Virtual Body Is Real! Valda Setterfield. Embodying Rainer’s aesthetic rigor and wit, the film combines fiction and documentary, script readings, dance snippets, still photos, and tableaux vivants to explore issues of power and gender that influence the emotional lives of her performers. In 1972, Rainer began making films, producing seven experimental features, including Lives of Performers (1972), Privilege (1990), and MURDER and murder (1996). RAINER: I should say that feminism gave me permission to deal with my own emotional life and put it up front in certain ways, or use film as a way to examine, at that time, my own heterosexual experience. Back in 1972, Rainer was able to cover the entire production of Lives of Performers, including wages for the entire crew, with a $10,000 Guggenheim grant. Your current browser may not support copying via this button. Sequences in her dances, and in 1972 she began to turn attention. 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