North Ossetia−Alania Branch (Vladikavkaz). There will be a specific pathway for 5 inspiring professional dancer-choreographers which offers emerging choreographers aged 30 and under the opportunity to create an original 15 -minute work for performance during the Festival. He is Artistic Director of Company Wayne McGregor, Resident Company at Sadler's Wells, London, and Resident Choreographer of The Royal Ballet. He directs and choreographs for stage: La Scala/ROH (Dido and Aeneas, Acis and Galatea), Donmar, Old Vic, NT, Royal Court; film: Harry Potter, Tarzan, Fantastic Beasts, Sing, Mary Queen of Scots; and music videos. Wayne McGregor’s latest project, +/- Human, is an experiment with digital artists Random International that’s typical of the choreographer’s endless curiosity, says Lyndsey Winship Helpless? Choreography, Credited with Wayne McGregor is one of the world's busiest choreographers. It encompasses his own touring company of dancers, Company Wayne McGregor; creative collaborations across dance, film, music, visual art, technology and science; and highly specialized learning, engagement and research programmes. Studio Wayne McGregor work in partnership with us to enhance your training experience, equipping you with new skills to give you the best chance to succeed as dance companies worldwide extend their repertoire. Most recently for the Royal Ballet, McGregor choreographed Raven Girl (2013) with award-winning author Audrey Niffenegger, Amber (2013) for Natalia Osipova for a Royal Opera House gala, Machina for Metamorphosis: Titian 2012 (2012) with sculptor Conrad Shawcross (co-production with the National Gallery) and Carbon Life (2012) with an all-star line-up of musicians including Mark Ronson, Andrew Wyatt, Boy George and Alison Mosshart. Wayne McGregor was born in Stockport in 1970 and studied dance at University College, Bretton Hall, and at the José Limon School in New York. Since 1992, he has been Founder and Director of Studio Wayne McGregor, his creative nexus for arts, science and technology, alongside Sadler’s Wells resident company, Company Wayne McGregor. Studio Wayne McGregor is the creative engine of McGregor’s life-long choreographic enquiry into thinking through and with the body. McGregor started playing with computers when he was seven and it was natural for him to incorporate the cyber world into his own choreography. The first was the unique quality of his vocabulary; this had its origins in McGregor’s own long, lean and supple physique and in his body’s ability to register movement with peculiar sharpness and speed; at one extreme McGregor’s dancing was a jangle of tiny fractured angles, at the other it was a whirl of seemingly boneless fluidity. Danielle de Niese as Galatea in Acis and Galatea, Danielle de Niese as Galatea and Edward Watson as Acis in Acis and Galatea, Benjamin Ella in Obsidian Tear, The Royal Ballet, Benjamin Ella and Joseph Sissens in Obsidian Tear, The Royal Ballet, Wayne McGregor, Tristan Dyer and Edward Watson in rehearsal for Woolf Works, The Royal Ballet, Wayne McGregor in rehearsal for Obsidian Tear, The Royal Ballet, Wayne McGregor, Sarah Lamb and Thiago Soares in rehearsals for Raven Girl, Executive and artistic staff of the Royal Opera House at the 2012/13 Season launch. Collaborating with state-of-the art designers, he experimented with projecting computer generated images onto the stage. Wayne McGregor, CBE (born 12 March 1970) is a multi award-winning British choreographer … More great stories from WIRED – Inside the dark web's biggest hitman-for … McGregor went on to create Limen (2010) and Live Fire Exercise (2011) for the Royal Ballet, which included ground-breaking collaborations with visual artists Tatsuo Miyajima and John Gerrard respectively. Set designer and Company Wayne McGregor with dancers from The Royal Ballet Bach Forms is a reimagining of Wayne McGregor's 2014 work for The Royal Ballet, Tetractys – The Art of Fugue, bringing Johann Sebastian Bach’s 18th-century work of great invention together with McGregor’s pioneering 21st-century choreography. McGregor undertakes exhaustive research, foraging for information before He's also into neuroscience, Antarctica – and walking his dog on a remote African island. In 2012 he spoke at TED Global and was the subject of BBC’s HARDtalk. He talks to Judith Mackrell >

Directed and choreographed by Wayne McGregor. Wayne McGregor, Tristan Dyer and Edward Watson in rehearsal for Woolf Works, The Royal Ballet. His creations for other dance companies have included pieces for the Ballet of the Opéra de Paris, San Francisco Ballet, Stuttgart Ballet, New York City Ballet, Australian Ballet, English National Ballet, NDT1 and the Rambert Dance Company. In Aeon (2000), digitally created landscapes transported the dancers to what seemed like other dimensions and other worlds. In return, they will gift back five days of education and community work across the country, curated by Studio Wayne McGregor. He is Artistic Director of Company Wayne McGregor, Resident Company at Sadler's Wells, London, and Resident Choreographer of The Royal Ballet. Wayne McGregor, CBE is a multi award-winning British choreographer and director. ‘human beings are imperfect, even the top performers. Critics’ Prize for  Chroma at the  Golden Mask awards (Bolshoi Ballet, 2012), CBE (for Services to Dance, January 2011), the Prix de la Benois for Infra (Royal Ballet, 2009), “Choreographer of the Year” from Ballet Tanz (2009), the International Theatre Institute Award for Excellence in Dance (2009), the South Bank Show award for dance for Entity (Wayne McGregor | Random Dance) and Infra (Royal Ballet, 2009), the Movimentos Award for Entity (Wayne McGregor | Random Dance, 2009), three Critics’ Circle Awards (Amu, Wayne McGregor | Random Dance and Chroma and Infra, Royal Ballet), the Lawrence Olivier Award for Best New Dance Production for Chroma (Royal Ballet, 2007), the South Bank Show award for dance (Royal Ballet triple bill featuring Chroma, 2007), the Lawrence Olivier Award for Outstanding Achievement in Dance for 2Human (English National Ballet, 2004), two Time Out awards for Outstanding Achievement in Dance (2001, 2003) and the IMZ Dance Screen Award (2002). – Wayne McGregor’s career as a choreographer has been experimental and Innovative. Wayne McGregor, Sarah Lamb and Thiago Soares in rehearsals for Raven Girl. National State Opera and Ballet Theatre of the Republic of North Ossetia-Alania, State Philharmonic of the Republic of North Ossetia-Alania. Upcoming commissions for 2013 include a new work for San Francisco Ballet and a new Rite of Spring for the Bolshoi Ballet. Hofesh Schechter's marks the Passover. Performed by The Royal Ballet, Royal Opera House, Covent Garden, London, UK, 2006. Choreography, © 2021Royal Opera HouseBow StreetCovent GardenLondonWC2E 9DD, Book onlineTickets for upcoming events are only available online, Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775), Tickets for upcoming events are only available online, Watch: Two new ballets in rehearsal with Wayne McGregor and Christopher Wheeldon, Press plié: the best music videos to feature ballet, Wayne McGregor: How the Royal Ballet's Resident Choreographer has changed the world of dance | London Evening Standard, A decade of daring: Wayne McGregor at the Royal Ballet – in pictures | Stage | The Guardian. Federico Bonelli, Sarah Lamb & Calvin Richardson in Yugen. Wayne McGregor: The Legend of Tarzan. The stimulus for  AtaXia (2004) was provided by the Experimental Psychology department at the University of Cambridge where McGregor, appointed Research Fellow, was engaged in a study of body-brain interaction. In his inaugural year as Director of the Biennale Danza, Wayne McGregor will be leading the Biennale College Dance in 2021. Wayne McGregor is certainly not short of words when it comes to talking about his work, but I feel he falls into the category of having little new to say through his work, and thus the impact of his most recent choreography has much the same effect as his last, whether you love it or are bored by it. Wayne McGregor is a radical choice as resident choreographer of the Royal Ballet, and he's envisaging a dynamic future for the company with an illustrious past, he tells Zoë Anderson Awards and honours: Graceful Tchaikovsky, vivacious Stravinsky, angular minimalist music - or something else? So, what are we when experiencing a Wayne McGregor piece? Wayne McGregor in rehearsals. it is interesting to work with something that is so precise. McGregor has made over thirty works for the company and today it continues to be his laboratory for ambitious and experimental new choreography, touring his work across the UK and around the world. We speak to dancer and choreographer Wayne McGregor about his latest work “Morgen”, created under lockdown, which strikes a note of optimism in hard … Wayne McGregor has been the subject of a South Bank Show arts documentary (2009), and he features in Fred Wiseman’s feature-length documentary film about the Paris Opéra Ballet, La Danse (2009). PLEASE NOTE: Strobe lighting is used in the opening section of this ballet. Wayne McGregor CBE is a multi-award-winning British choreographer and director.He is Artistic Director of Studio Wayne McGregor, the creative engine of his life-long choreographic enquiry into thinking through and with the body.Studio Wayne McGregor encompasses his extensive creative collaborations across dance, film, music, visual art, technology and science; Company Wayne McGregor… In Sulphur 16 (1998) dancers were dwarfed by the presence of a shimmering virtual giant and danced with a company of digital figures that wove and shimmered among them like visitants from another age. Wayne McGregor is known for his work on The Legend of Tarzan (2016), Fantastic Beasts and Where to Find Them … We explore what makes the best music for ballet and beyond. 53 Bytes (1997) was created for simultaneous performance by two sets of dancers in Berlin and Canada, and was watched by audiences in both countries by live satellite link. How do you know Wayne McGregor?Dance-goers with long memories might remember Wayne McGregor as the wunderkind who founded his own company and became resident choreographer at The Place aged just 22. Company Wayne McGregor is Resident Company at Sadler’s Wells, London. A string of productions including Qualia (2003) and Engram (2005) were followed by the 2006 smash hit Chroma. From this program, Dyad 1929 stood out for the new insights into the work that it gave me. The week in dance: Wayne McGregor's new work draws on nature and mathematics. It’s all the same, really.” “People think rehearsing is about making it perfect, and I’m just not into that. Wayne McGregor in rehearsal for Obsidian Tear, The Royal Ballet. He is the Artistic Director of Studio Wayne McGregor and Resident Choreographer of The Royal Ballet. Making or creating something is about exploring the potential.” Click here to read this article as... Read more » This essay is an overview of his career so far as a choreographer, looking mainly at his work as Artistic director of Random Dance, Resident Choreographer of the Royal Ballet and his interests in Technology and Science. Born in 1970 in Stockport, UK, he fell in love with dance early on, inspired by films like Grease and Saturday Night Fever. His Royal Ballet works include Yugen, Multiverse, Obsidian Tear, Woolf Works, Tetractys, Raven Girl, Machina, Carbon Life, Live Fire Exercise, Limen, Infra, Nimbus, Chroma, Engram, Qualia, Symbiont(s), The Dante Project and the recently announced MADDADDAM with the celebrated author Margaret Atwood. Wayne McGregor | Random Dance was one of many British companies to emerge in the 1990s but two features made McGregor’s work stand out. The ROH has announced a new Wayne McGregor work, to be premiered by the NBC in November 2020 and then be performed by the RB in 2022: 'In this major new international collaboration between The Royal Ballet and The National Ballet of Canada, Royal Ballet Resident Choreographer Wayne McGregor brings Margaret Atwood’s post-apocalyptic vision to the stage in a three–act ballet, … Joseph Sissens and Akane Takada in Yugen. it explores what it is to be living,’ concludes wayne mcgregor to designboom. His works are also in the repertories of such leading international ballet companies as the Bolshoi, Royal Danish Ballet, National Ballet of Canada, Boston Ballet and Joffrey Ballet. Updated 17.12.2018, 18.00 GMT: This article has been updated with details of Wayne McGregor's future work. In 2013 he premiered Atomos, the newest work for Wayne McGregor | Random Dance as well as Borderlands for San Francisco Ballet in January 2013, while in July 2012 he created Big Dance Trafalgar Square for the London 2012 Festival to celebrate the London Olympic Games. He is commissioned by companies worldwide including Paris Opera Ballet, ABT, Bolshoi, National Ballet of Canada, Mariinsky, Bayerische Staatsoper, NYCB, NDT1, Alvin Ailey, Dutch National Ballet, Australian Ballet and San Francisco Ballet. The Australian Ballet’s triple bill of Graeme Murphy’s The Narrative of Nothing, Stephen Page’s Warumuk—in the dark night, and Wayne McGregor’s Dyad 1929 has been no exception. “Everybody carries their own physical history, so it doesn’t matter if you’ve trained in hip-hop or body-popping or classical ballet. It’s interesting that you say you aren’t good with rituals, because you seem pretty systematic in the way that you approach your work, it’s very clean and structured. He is Professor of Choreography at Trinity Laban Conservatoire of Music and Dance and was appointed a CBE in 2011. McGregor has always been as curious about the technology of dancers’ bodies as he has been about machines. I’m vegan for example, which is part of it. As we are propelled into 2021, after a year of the pandemic, social distancing and enforced physical restrictions, we are powerfully reminded of the criticality of touch in our lives. Entity (2008) and FAR (2010) have been other steps on this journey. Yugen and Corybantic Games see two of the world's premier choreographers create new works to music by Leonard Bernstein. Wayne McGregor, Director of the Dance Department of La Biennale di Venezia, has chosen First Touch as the umbrella title for this year’s Biennale. English choreographer Wayne McGregor was appointed Resident Choreographer in 2006, The Royal Ballet’s first from a contemporary dance background. We apologise for any inconvenience caused. Even with a title as seemingly straightforward as “Autobiography,” a dance by the brainy British choreographer Wayne McGregor isn’t likely to be plain memoir. This is Wayne McGregor. Due to the ongoing effects of closure at the Royal Opera House, information about artists is only updated periodically during this time. Top music videos prove that ballet can enrich a range of sounds and elevate songs to a whole new level. Lovers of contemporary dance will be familiar with his company Random Dance, which boasts some of the best dancers in the business and periodically brings sophisticated, hi … In his inaugural year as Director of the Biennale Danza, Wayne McGregor will be leading the Biennale College Dance in 2021. In 1992 he founded his own company Wayne McGregor | Random Dance and, the same year, was appointed choreographer-in-residence at The Place, London. Wayne McGregor is a multi-award-winning British choreographer and director, internationally renowned for his collaborations across dance, film, music, visual art, technology and science. UNDANCE (2011) saw him collaborate with Turner Prize-winning artist Mark Wallinger and composer Mark-Anthony Turnage. McGregor then conceived, directed and choreographed an historic joint collaboration between the Royal Ballet and the Royal Opera – the baroque double bill of  Acis and Galatea and Dido and Aeneas. McGregor was appointed Commander of the Order of the British Empire 2011 for Services to Dance. Wayne McGregor, Edward Watson, Calvin Richardson and Matthew Ball in rehearsal for Obsidian Tea, The Royal Ballet, Wayne McGregor, Edward Watson, Matthew Ball and Calvin Richardson in rehearsal for Obsidian Tear, The Royal Ballet, Calvin Richardson, Edward Watson and Wayne McGregor in rehearsal for Obsidian Tear, The Royal Ballet, Calvin Richardson, Edward Watson, Matthew Ball and Wayne McGregor in rehearsal for Obsidian Tear, The Royal Ballet, Calvin Richardson, Edward Watson, Wayne McGregor and Matthew Ball in rehearsal for Obsidian Tear, The Royal Ballet, Wayne McGregor and dancers of The Royal Ballet in rehearsal for Obsidian Tear, The Royal Ballet, Lukas Bjørneboe Brændsrød, Matthew Ball, Edward Watson, Calvin Richardson and Wayne McGregor in rehearsal for Obsidian Tear, The Royal Ballet, Wayne McGregor, Akane Takada and Federico Bonelli in rehearsal for Tetractys, The Royal Ballet, Alessandra Ferri and Wayne McGregor in rehearsal for Woolf Works, The Royal Ballet, Eric Underwood and Melissa Hamilton in Infra, George Lamb, Judith Mackrell and Wayne McGregor at Royal Ballet Live, Executive and artistic staff of The Royal Ballet at the 2012/13 Season launch, Audrey Niffenegger and Wayne McGregor discussing Raven Girl, Francesca Hayward, Cesar Corrales and Wayne McGregor in rehearsal for Live from Covent Garden, 13 June 2020, Artists of The Royal Ballet in Obsidian Tear, The Royal Ballet, Joseph Sissens and Calvin Richardson in Yugen, The Royal Ballet. More Outside the world of “pure” dance McGregor has directed operas for La Scala in Milan and the Royal Opera House in London as well as producing the choreography for films, plays, musicals, fashion shows and art galleries including site-specific installations at the Hayward Gallery, Saatchi Gallery, National Gallery, Canary Wharf, Glastonbury, the Pompidou Centre and Secret Cinema in addition to movement for films and music videos ranging from Harry Potter and the Goblet of Fire to Radiohead’s 2011 Lotus Flower video (with almost thirty million views on YouTube) and Atoms for Peace’s 2013 video for Ingenue. McGregor's choreography makes phrases of movement, woven together like poems and punctuated by the carefully chosen music. Mood, limbs and beats work as one to create these distinctive genre bending visions on stage. A unique opportunity for 20 young professional dancers aged 30 and under to immerse themselves in high quality technical, creative and performance work with world-renowned choreographers. An adventurous experimentalist, a soul driven by curiosity, who would like nothing more than to integrate all technological advances in every art form in order to show how these developments change our life, the world and, not least, art itself. Wayne McGregor CBE is a multi-award-winning British choreographer and director, internationally renowned for his collaborations across dance, film, music, visual art, technology and science. Wayne McGregor has been the subject of a South Bank Show arts documentary (2009), and he features in Fred Wiseman’s feature-length documentary film about the Paris Opéra Ballet, La Danse (2009). Any use or copying of site materials, design elements or layout is forbidden without the permission of the rightholder. I am, and that’s a lifestyle I think. In 2006, Wayne McGregor was appointed Resident Choreographer of the Royal Ballet, the first contemporary dance-maker to be given that post in the company’s history. Edward Watson, Calvin Richardson and Wayne McGregor in rehearsal for Obsidian Tear, The Royal Ballet, Credited with It is an ongoing fascination being able to watch streaming sessions of works I have seen live (often more than once). He was the subject of Arte TV’s feature documentaries Wayne McGregor – A Moment in Time and Wayne McGregor – Going Somewhere, both directed by Catherine Maximoff. In July, he created a large-scale public dance work, Big Dance Trafalgar Square, in celebration of the London 2012 Olympics. He was the subject of Arte TV’s feature documentaries Wayne McGregor – A Moment in Time and Wayne McGregor – Going Somewhere, both directed by Catherine Maximoff. Both, in their way, are ahead of the times, writesLuke Jennings

For Dyad 1909 (2009), he embarked on a study of creative cognition, with his entire creation process video-recorded and mapped by a team of cognitive scientists and students at the University of California, San Diego (USA). This might include exploring and researching main themes and concepts, exchanging ideas with collaborators and observing and casting dancers. Executive and artistic staff of the Royal Opera House at the 2012/13 Season launch When creating a new work Wayne McGregor’s choreographic process is fuelled by an important research phase. No, … McGregor has also used technology to alter the conditions under which his work is viewed. Production image from Chroma. Next came Nimbus (2007), and in 2008 McGregor organised a new festival for the Royal Opera House – Deloitte Ignite – which also saw the premiere of a new work, Infra. Wayne McGregor on his work ethic. Puppets? The second outstanding feature of his work was its embrace of new technology. 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